Monday, 14 October 2013

Research into chosen artist

Research into chosen artist 

We as a group decided to use the artist Nina Nesbitt. From the start of our group discussions it was clear we wanted to explore the Indie genre, therefore I suggested Nina Nesbitt, an artist I have supported since the start of her career. Although my fellow group members previously had only heard of her and not listened to her music, they were more than happy to trust my judgement on her music. We then listened to all of her songs as a group: The Apple Tree proved popular as well as Noserings & Shoestrings. Our final dececion was Noserings & Shoestrings because we liked the conventional slow-pace of the track as well as her meaningful lyrics we believed we could develop a strong narrative for. We as a group also liked the fact our chosen song doesn't have an original video by the artist: therefore, we decided it was a good reason to use it even more so because we could not be 'inspired' by it, therefore making our own music video original and relevant without essentially 'copying' parts. 

Nina Nesbitt is a 19 year-old  Scottish singer-songwriter and first came to recognition in the music industry when Ed Sheeran asked her to come backstage to play some chords on the guitar. He, an Indie artist himself was impressed by her and therefore she joined him on his European Tour and co-starred in his video to Drunk. Prior to this however, Nina had uploaded several original songs she had written onto Media platform YouTube where she received feedback and people interested in her Indie style. She was also asked to support Example after he heard her cover of one of his songs; Stay Awake. From these opportunities a small artist can dream for, Nina was presented to the public where they became more aware of her and her music and she gradually started to build her own fan base: very niche at first.

Since then, Nina has released 5 EP's (mini-albums) including the single “Stay Out” peaking the UK charts at number 21. The young artist has also recently released a cover of Fleetwood Mac's hit "Don't Stop" which is featured in the John Lewis advert (following in the footsteps of Indie artist Ellie Goulding), played often on televisions across the UK, therefore promoting the niche artist and making people aware she exists and offers the industry a fresh new face and great Indie music. 
Nina is signed to Island records under Universal Music Group alongside artists including Jessie J, Jack Johnson and Rizzle Kicks. Islands Records was founded by Chris Blackwell and Graeme Goodall in Jamaica. It was based in the United Kingdom for many years and is now owned by Universal Music Group. The label operates as a division of The Island Def Jam Music Group in the Unites States, and as a standalone label in the UK. Moreover, there is a frontline local artist and repertoire label in Australia known as Island Records Australia, run by Universal Music Australia. Island Records manages a number of successful artists with music from a range of genres including artists I have mentioned above, offering a eclectic combination of somewhat diverse styles.

Our chosen artist has only released 4 singles which included; Boy in 2012 which reached no 134 in the UK charts and Stay Out, Way In The World and Don't Stop in 2013 which reached no 21, 55 and 61 in the UK charts. The rest of the songs that she released publicly were via EP's online. This is because she is still early on in her music career. Therefore, it was the most logical thing to do to gain public interest in her music. Nina is yet to produce an album for her fans as she is in the process of turning a niche audience into a mass audience which will follow with her efforts in touring, intimate gigs and the selling of Nina related merchandise. Nina has sold ____??__ records across the time she has been recognised in the industry and with her record label, which therefore makes her a successful artist of the Indie genre.
As Nina Nesbitt is an artist of the Indie genre, her style is mainly Indie-pop which evident in her songs Stay Out and Boy, two of which I will be analysing. Most of Nina's professional works displayed throughout her EP's stay true to the Indie/original genre with quirky lyrics and guitar noodling. However, Stay Out and Boy could be classified as more 'Indie-pop', a sub-genre amongst the genre as a whole. The pop element may have been added to attract a larger audience of mainstream listeners which would therefore benefit the record label Island whilst making the artist more recognisable therefore more credible and successful within the ever-growing, ever-changing industry. 

Boy, Nina Nesbitt 





        
Old fashioned love is depicted throughout the video to 'Boy' although set in a modern location of a decorated flat. By old-fashioned I am referring to the use of the pair portrayed throughout sending letters to each other as a form of communication whereas in more modern videos typically of a pop/dance genre, we as an audience would witness a couple exchanging texts/participating in a video call. Also at the end of the video, we as an audience witness the artist enclose a cassette tape in an envelope and post through the letterbox where he waits eagerly to receive it, surrounded by junk mail which signifies the time which has elapsed. Cassette tapes are generally old-fashioned as songs are most commonly purchased on iTunes then transferred onto a mobile device. This again echo's the old-fashioned love depicted throughout and implies the artist is attempting to be different and follow the Indie culture. Cassette tapes as well as old-fashioned records/vinyls are now sold in many quirky boutiques and shops such as Urban Outfitters which promotes new music in an old fashioned form, again, appealing to Indie audiences. 

Dyer's Star theory draws attention to artists being sold as a commodity and the stark contrast of an artist in the industry being represented to be  ordinary and extraordinary. Only one theoretical point is evident within the video to Boy as the artist is presented to be more ordinary rather than extraordinary for the majority. This is conveyed through the use of a narrative style which is evident throughout where the artist takes a role of an actress in which the audience witness the true emotions conveyed through her lyrics. Nina is also presented to be extraordinary in addition to this which presents a contrast to the audience which may make many think of the Indie artist differently. This is portrayed through the use of a microphone where the audience witness the audience sing into it and therefore mime to the camera too. This video allows the audience to view her in two different ways with two different images as explained in Dyer's Star theory: ordinary and extraordinary. Consequently, this makes the audience more relatable but also more of an iconic individual as she is seen expressing her emotions through the narrative and performance elements throughout. 


      Goodwin's theory is followed throughout the video to Boy by Indie artist Nina Nesbitt.  There is an evident relationship between the music and visuals throughout. Clear transitions are involved in aim to change the visuals on the beat of the music to provide the audience with the visuals of a new scene. By having this element of Goodwin's theory present in the music video, it allows the narrative and performance elements to flow evenly and consistently. Because of this, the audience will therefore adopt a deeper understanding surrounding the video and will therefore also increase the entertainment value of the creative piece to benefit the audience targeted.  One point heavily referenced to is the relationship between lyrics and visuals. Firstly, the song title and lyric content is stating a relationship between the artist and a 'Boy' To echo Goodwin's theory, the boy is shown, although not clearly and not on numerous occasions. This allows the audience access to the artists lifestyle and they get to view it differently and more in detail. Furthermore, the lyrics "are you gonna pick it up, pick it up?" are supported with the visuals of the artist walking to the door and picking up the letter he had posted. Therefore, using Goodwin's theory briefly.


Additionally, the lyric "stop jumping in to fountains just to pick up all the coins" may hold connotations that the artists love interest seems to jump into relationships too quickly just to receive the benefits (the metaphorical "coins") and jump out when it all gets too much. He seemingly turns to alcohol to solve his relationship problems. We were inspired by this for our own creative production and would like to not only echo this but expand upon it too. 



Furthermore, the use of intertextual references are mentioned in Goodwin's theory and are evident in the video to Boy. There are 2 main shots in which the audience can see clearly that the artist is wearing Nike trainers (blazers) The first time we see them are in the first 20 seconds of the video, similarly to the video of Stay Out, also by Nina Nesbitt. By showing the artist wearing a popular brand it allows the audience to  buy into the artists lifestyle whilst feeling like they are connected with her by her favoured fashion items. It also develops genre characteristics and breaks boundaries of what audience members may expect to see within an Indie video. Brands are not often associated with the Indie genre therefore it breaks stereotypes and conventions. Nina is seen in  the majority of her music videos, gigs and photos posted on social networking sites where fans follow her to be wearing the Nike brand, often in form of trainers. Therefore, this promotion is explored and presented to the artists target audience often which may force fans to buy the product, benefitting the large global company. 



Artist representation is vital within all music videos but particularly in videos of the pop genre where the artist is often seen performing to the camera. Within the video of Boy, the artist is portrayed to be the vulnerable individual in her relationship. However, the artist is also represented to be strong as she is facing her emotions by performing the song as the lyrics she has written are heavily reliant on her emotions. The artist is also presented to be relatable with her overall image as it is natural and simplistic therefore achievable for fans to mimic/be inspired by.

Nina appeals mainly to young females who can relate to her lyric content which is often meaningful and littered with metaphors and morals. Her lyrics are mainly aimed at females as they present the modern day struggles of being a female with her focus heavily drawn upon males and broken relationships. Unlike music of the pop genre, Nina, an artist of the Indie genre is not mainstream which therefore attracts a more niche audience which still support her for her quirky and unique style of music and image. Relationship issues are explored throughout Nina's music but in a very different way to the way relationships are portrayed throughout songs by pop artists who are stereotyped to express sexual feelings rather than lyrics about 'soul mates' which is also evident in the videos the different artists from varying genres produce too. By exploring relationship issues throughout her music, Nina is portrayed to be an advice giver and friend rather than an actual artist in the industry, therefore attracting young females who can empathise with her. 


     

The style of the video to Boy by Nina Nesbitt ignores a concept as it does not evidently run throughout. Despite this, narrative and performance elements are highly evident throughout. Storytelling is a genre characteristic of Indie music videos therefore the narrative component is successful as it allows the audience to gain a deeper understanding of the lyrical content and the messages and morals the artist wants to express. The narrative is very simplistic and is predictable which therefore does not alienate the artists target audience as they can relate to similar circumstances and situations. The performance element however is shown when the artist is writing the letters as she looks up at the camera and mimes her inner feelings, possibly addressed within the letters we as an audience do not get the opportunity to read. This style component is used because it allows the audience to understand the artist and relate to them.  It is not likely fans will meet their favourite artist but music videos with a high performance element allows them to feel emotionally connected with them, almost as if they know them and are accepting advice, much like a friend would advise another about relationships and negative encounters. 


     A motif of the colour red is used throughout   which connotes the artists passion for her 'boy' This comes in form of red lipstick and the red jumper she wears which presents a stark juxtaposition when compared to the white paper she is surrounded by which is natural and crisp whereas red conveys not only love but lust for another person, in this context  to the male she is singing about- the central focus of the lyrical content.

Flowers and feathers are also in the foreground of many performance shot frames. This introduces a 'feminine touch' to the video which evolves around a male (the artists love interest briefly spotted throughout when they interact) Whilst the flowers typically hold connotations of life, death, love and purity feathers represent the freedom the artist would like within her relationship.



Naturalistic lighting is used  throughout the video to Boy. This kind of lighting follows generic conventions of what an audience would generally expect from an Indie music video. Naturalistic lighting highlights the artist to be natural in regards to both her image and lyrics, therefore appealing to her target audience.


Common shots throughout the video to Boy include the use of close-ups.  The artist is mainly seen performing her song and therefore the viewers are given the opportunity to build a relationship with her as an artist (following Goodwin's theory) The close-up shots also illustrate the artists raw talent to the her target audience and provides them with a deeper insight into her personality which is fundamental to any artists success in the industry. Because Boy is primarily performance based, it therefore allows the viewers to witness Nina doing what she is famous for and what she is passionate about which further engages the audience to build a relationship with her as an artist. Many close-ups are also used and present in the music video to meet the demand of the artists record label, also following Goodwin's theory. This therefore serves an overall benefit to the 3 main priorities: the target audience (receiving the artist performance experience), the label (gaining profit and recognition) and of course the central priority; the artist (increasing in popularity by fan recognition therefore benefitting and prolonging her success/time in the industry spotlight) Many shots of the back of the 'Boy' are used, possibly to signify the way in which the artist now views him: to lack identity. In addition, by not clearly showing his face it shows the distrust in their relationship as it is only the artist we see clearly and sharply portrayed in various shots throughout. 



Stay Out, Nina Nesbitt 


Stay Out is the single which made Nina more popular with mainstream audiences as it secured a number 21  position in the Official UK Top 40 which is listened by a larger audience as opposed to a niche audience which are typical to support (generally less successful) Indie artists.

The lyrics are based around staying out with your friends, as evident in the song title. 
Nina also makes a joke of the youth  of today throughout, basically patronising them in a light-hearted manner makes fun of her fans being 'hipster', a phrase often associated with the Indie genre. She sings lines such as "he's got a Rolling Stones tee, but he only knows one song", "they think they're from the 60's but they were born in 1991" and "they think they're gangsters but they've barely started at sixth form" This song is not just about 'staying out' (the literal meaning) but also identity and how it can be thieved by the media world/music industry. 
Dyer's star theory is mainly evident in music videos by mainstream/iconic artists including Beyonce, Jay-Z and Madonna to name just a few in the industry. As Nina Nesbitt is a fairly small artist appealing to a rather niche audience, Dyer's star theory is not exactly as appropriate as other practitioners theories including Goodwin (which I explore below) However, one theoretical point I can briefly argue which follows Dyer is the rebellious nature of the artist. Although it is silly rather than rebellious, the artist picks up a traffic cone in the street which captures the artists care-free/laid-back nature which is displayed when she 'stays out'  At the end of the video we see the artist carry it in to the bedroom where her friends are staying the night with the song title written upon it. This text serves the purpose of informing the audience the video is coming to an end. 

      Goodwin's theory is embedded in many shots within the Stay Out music video. A relationship between the lyrics and visuals is evident throughout the whole 3 minute video. This is evident as the narrative is loosely based around 'staying out' with your friends and enjoying the novelties of being young. Therefore, the link is in the artists song title too. This serves a dual purpose for the audience wacthing: to give them greater understanding of the artists lifestyle when she is not working and to also allow them to engage with her and her lyrics. This song, unlike the artists others uses lyrics which are rather 'poppy' (could easily be mistaken for being a song of the pop genre if not supported by the acoustic guitar) which may be the reason as to why it broke out into the mainstream charts and was a success. Goodwin's theoretical point of intertextual references is also followed in the video to Stay Out. Nike branded trainers are seen at the beginning in form of a close-up shot which allows the audience to have a closer look and decide whether they would consider buying them. Nike is not a brand often associated with the Indie genre which may shock audiences but also engage other new audiences of the new and upcoming artist. Consequently, this breaks genre characteristics as it is not common to see brands promoted in other Indie music videos, setting this song apart from the crowd therefore standing out. This may therefore also attract a contrasting target audience: not Indie...mainstream. At the end of the video, the camera is placed upon the table we first see at the start of the video where the artist does her make-up and there are no lights on, apart from the light which captures the single Nike trainer left behind.


      Another example of an intertextual reference woven into the video of Stay Out is the artist enjoying an apple at the start. This, also subtle is an implicit reference to her previous single The Apple Tree where an out of focus shot is used but highlights a bowl of apples- everything else in the frame is blurred which shows it is not the central focus.  This may be a novelty for the artists fans who notice it and may inform other people watching with them of her other music. Lastly, there are two explicit references of the location (also the artists hometown) These include the Scottish flag and a shop sign pointing to kilts. This may allow the audience to feel more engaged with the artists personal life and feel connected with where she is originates from therefore creating a greater relationship between the artist and her fans. 


      Nina targets mainly young females who can relate to her lyrics of heartbreak and fun times with her friends. I estimate her fans range from around 16-25 and they probably do not include males as the song are very feminine, soft and meaningful. Males who enjoy Indie music between this age would most probably listen to male artists such as Mumford & Sons, Passenger and Of Monsters and Men as they can relate more so with their music as opposed to a females lyrics (typically)  The artist is represented to be very relatable to her target audience. She is conveyed throughout the video to be fun with her friends (ordinary) but with an extraordinary talent (busking in the streets of Scotland) 


     The style of the music video to Stay Out is undoubtably 90% performance focused as the artist mimes and performs to the camera throughout. This allows the audience to view her as an artist which contrasts the 10% narrative focus of the video which allows the audience to view her as a normal person. This is because the camera follows the artist and her friends on a typical night out. Unlike videos of the dance/rap genre we do not see alcohol consumption or cigarettes, it is all perceived to be very innocent and the only objective of their night is to have a laugh which appeals to her target audience.


Mise en Scene is particularly important throughout the video to Stay Out as it demonstrates the artists personality and talents. To begin, the artist is dressed in a leather jacket which is often associated with the Indie culture. Nina is also shown to  wear many bracelets which also follows a very Indie style. It also presents the artist to be accepting and well-travelled as she may have received bracelets from fans and collected others from different places she has travelled to due to her career. Nina is shown to wear red lipstick and dramatic eyeliner which arguably presents a 'trademark image' and draws attention on her so that the focus is on her, not her group of friends. However, it could be seen by fans that the make-up she wears covers her identity and therefore we as an audience do not witness her as a person true to who she is but an image she has developed of herself, demonstrated by the make-up she wears.  Guitar performance is also embedded throughout to relate to the acoustic nature of the song and genre. This is effective as it not only identifies the genre and displays characteristics but presents the artist to have a natural talent of voice and able to play an instrument. 

Many close-up shots of the artist and her friends are adopted to capture the realism of the situation and display the artist and her friends genuinely on a night out rather than a 'staged' and 'over-planned' experience. Because it is a natural narrative naturally captured, it allows the audience to gain an insight into the artists lifestyle which may appeal to many whilst following characteristics of the Indie genre. Close-up shots also establish the artist to be the main focus of the video whilst providing the record label with their needs and expectations. Towards the end of the video, the artist takes hold of the camera to take photos of her and her friends. This is effective because it shows the artist to be involved with her friends which makes her more appealing because by this she is easier to relate to.  The use of a mid-shot with a certain effect (almost polariod esque) is layered on top to highlight key moments of their night out for example eating in the Fish n' Chip shop and in the club.



The research I have conducted of my chosen artist will not only benefit myself and my group members in hindsight but will also assist me with the planning of my music video. This is because it has provided me with a detailed insight into the varying elements of Nina Nesbitt's creative work, therefore strengthening our group production as we are now aware of certain conventions we must follow in order to stay true to the artist and genre. From the research I have conducted, I have also noticed a trend that our chosen artist Nina Nesbitt tends to create music videos with a personal element embedded within them which I have recognised through the motif of house and bedroom locations within both Stay Out and Boy. Additionally, the artists personality is highlighted throughout all of the videos she has been involved with, mainly through her performance talents displayed and through her individual vintage esque clothing. By researching into our chosen artist further, especially by analysing her videos with great attention to relevant detail, it has inspired me to mimic similarities presented throughout her videos. Lastly, I have also identified the numerous close-up shots used within her music videos. Not only will this follow Goodwin's theory of 'pleasing' the record label and meeting their high demands of the artist image, it also allows the audience to feel connected with the artist more so than if they were not involved within the simplistic narrative. Therefore, I have chosen to incorporate these shots throughout my creative media production as it follows the desired conventions of a music video of the Indie genre. This will hopefully meet the aim of increasing the audiences entertainment and enjoyment emitted throughout observing the music video and in turn make  the artist more successful throughout our online distribution via YouTube.


A motif in both the video to Stay Out and Boy is the use of a house location, something we as a group have not considered as we do not want to copy any elements of our chosen artists previous videos as we want to offer our target audience a fresh experience of Indie music and the videos which follow. Additionally, I have also found out that our chosen artist tends to create music videos with a personal element. This may be due to the fact that she writes her own material, typical of an Indie artist in comparison to many artists originated from the more mainstream pop genre. Nina's personality is vastly highlighted throughout both videos I have chosen to analyse which allows the audience to feel connected with her through her emotional battles and experiences which people of a similar background and age group can relate to, therefore making the artist more successful. This has inspired me to involve aspects of the artists personality into our creative media production because it will entertain the audience more so and allow a personal connection/relationship to be built by doing so.  Lastly, I have also noticed the numerous amount of close-up shots employed through both of the videos I have analysed. Therefore, I will suggest that we as a group should use many close-up/mid-shots of the artist in our music video. This is because it will allow our target audience to build more of a relationship with the artist because they will experience aspects of her personality therefore benefitting primary financial aspects too. In the Stay Out video, the first shot we as an audience are presented with is a film effect when the camera rolls of the artists name followed by the song title in a bold white font layered on top of a shot of the artist applying her lipstick. The last shot in this video we see is a misty car window with the song title on it with the street lights highlighting the words. I personally enjoy these specific shots as they are quirky and not often seen in music videos, even of the Indie genre. I have been inspired by these shots and would like to possibly echo the way in which the song title and artist is presented to the audience as it is informative and eye-catching.

Wednesday, 9 October 2013

Primary research evaluation



Evaluation


Target audience can be identified by a few main components: age, gender, income, status, ethnicity and interest. Without an audience to target, the product is not profitable and generally will not appeal to anyone. There are two main audiences: niche and mass. Niche meaning small and mass being large.
      Research we carried out included: questionnaires which we transferred to numerous pie charts to visually display our findings and vox pops which consisted of selecting various people in our target audience who we believe our video will appeal to and asking them relevant questions regarding various video components. 

In total, we surveyed 40 people from our target audience. This is because it is not too little or too  many people and still gives us relevant and reliable information.

Personally, I believe our vox pops was successful because it presented our group with more of an insight into the people who will be watching our final music video production. By creating a vox pops it will assist us with planning our music video  because it allows us to refer back to it in an easily accessible way (YouTube) whilst considering our target audience in further detail.  

We decided to discuss the first 3 questions in regard to the results we received and how this will assist us in our planning process: 

Q-

"Do you like to be able to relate to an artist?"

A-

"Yes, because I feel more involved within the video"- Millie Cooper

"Yes, because it provides an outlet and makes you feel more involved"- Karis Myers

"Yes, because it gives depth and meaning to the song"- Reggie Clark

"Yes, because it makes the artist more down to earth and relatable"- Sam Pearl

"Yes, because I idolise people in the music industry"- Dylan Snow 

Each person we questioned answered "yes" to "Do you like to be able to relate to an artist?" which tells us we should consider making our artist be perceived by our target audience as ordinary and relatable. 2 of the people we questioned claimed they liked feeling involved with the artist whilst Reggie Clark believed that it adds depth and meaning to the song. Karis Myers on the other hand stated that it provides an "outlet" for the artist which follows Dyers Star theory. This is because he proposes that successful/mainstream artists appear to be both ordinary and extraordinary. This therefore engages the audience and maintains their interest in the artist they chose to favour. We aim to create an overall Indie image for our artist in which the audience can relate to: an ordinary girl with an extraordinary talent. The ordinary element will be presented through affordable clothes which are simplistic and typical of fans of the Indie genre whereas the artists extraordinary attributes will be displayed by close-ups of her playing guitar and her performing to the camera. Overall, the artist will be portrayed to be relatable and be able to build a relationship between her fans.



Q-

"Where do you watch music videos?"

A-

"YouTube"- Millie Cooper

"YouTube and music channels"- Karis Myers

"YouTube"- Reggie Clark

"Phone"- Sam Pearl

"Music channels"- Dylan Snow 

The majority of people we questioned throughout our Vox Pops stated they watch music videos on Youtube (3/5) whilst 1 other claimed they downloaded videos to view on their phone. The remainding person stated he enjoyed music channels for his source. We believe YouTube was the most popular choice because it is easily accessible for any audience member of any age. Essentially, YouTube is a search engine which filters videos only as opposed to the worlds largest search engine: Google (which is used to access YouTube) As YouTube is not only easy to access to search a video of any form (music video, tutorial, advice etc) it is also easy to upload content/material of your own, all you have to do is create an account. It is a favoured distributor for many, especially companies/organisations/record labels. We as a group are going to distribute our final creative outcome onto YouTube which can be seen by the public and most imperatively: our target audience (including people similar to who we questioned) 




Q- 

"Do you prefer a simple or complex video?"

A-

"Complex because it is more exciting"- Millie Cooper

"Simple because it is easier to understand and relate to"- Karis Myers

"Simple because songs aren't long enough to be complex"- Reggie Clark

"Simple"- Sam Pearl 

"Simple"- Dylan Snow


As evident in the response we received for this particular question, the majority of our target audience prefer a simple music video, something we wish to achieve for our own production. Apart from one person, our target audience prefer simple videos for reasons including: because they are "easier to understand and relate to" and because "songs aren't long enough to be complex" Although we as a group understand a complex video would achieve more excitement and shock within our audience, we believe simplicity is best in regard to our chosen genre: Indie. We do not want to upset certain genre characteristics and will stay true to the artists previous videos which are simple but employ certain genre characteristics which traditionally tend to appear often. 


     Overall, these results will assist us with the production of our own video as it acts as a source of primary research from a selected few from our target audience. It will be highly beneficial to refer back to our Vox Pops throughout the production process of our video because it will enable us to recall certain features which appeal to the people we are targeting to entertain.

Grant McCracken

Grant McCracken was a Media theorist who believed that the post-modern is full of diversity, dynasim and creativity. McCracken says that   if we look at the array of values and ideaologies then we can't say all sub-cultures come from one culture.


CCCs

CCCs views were very general and ignore McCracken's ideology. The CCCs are a group which assume all sub-cultures come from one main culture: a definite reaction to the mainstream culture.


Hebdidge 


Hebdidge however expressed a contrasting idea. He come to the conclusion that although some people believe sub-cultures only appear to be different but deep down they are the same. He also 
      says if you look deeper into the industry, there is enough richness to warrant renaming sub-cultures as "little-cultures" 


In conclusion, all 3 theories we have explored vary in their beliefs and appear controversial to certain audiences. All theorists above are opinionated and stubborn to achieve a real belief for their theory. 

We as a group have discussed each individual culture theory and have decided to follow the CCCs views. This is because it is most relevant to our music video production. Because we are using an artist and song of the Indie genre, this theory is relevant because Indie artists are typically portrayed to be down to earth and adopt a simplistic yet effective overall image. The Indie genre evolved as a result of people being 'fed up' of listening to mainstream genres such as pop and dance of which present artists to be over the top and sold as a commodity (as presented in Dyers Star theory) to therefore appeal to a mass market. However, it could be argued genres listened and enjoyed by mainstream audiences do not display relatable attributes. Therefore, our Indie artist and her image will be relatable in regard to CCCs theory. 



Vox Pops


   We as a group decided to undertake a vox pops as part of our primary research. This is because it would present us with more of an idea of how our target audience felt about various components which create a music video. Target audience feedback is fundamental and without it we may create a final product which does not appeal to them. We want to create a music video to entertain/make our target audience think about certain issues and therefore have various elements which appeal to them too.




To undertake the production of the voxpop, we created 5 new questions to ask participants (questions not used in our questionnaire) We then went to the common room and found 5 available people to interview and took them to various places in the school to film them. Once we had filmed the interviews, we then edited the material we had. The footage we produced did not need much editing whatsoever as the interviews flowed nicely, despite a few pauses.

      We then added text at the bottom of each interview clip including the person we interviewed and their age in addition to  the question being asked (voiceover heard) This therefore allows us to reference to it quickly if necessary.



We created the questions for our Vox Pop as a collective group. Each question was designed for a creation and we hope that by asking them, it will fulfil the imperative purpose of exploring our target audience and which elements they enjoy within a music video which also allowed us to define our target audience too.


We asked 'Do you like to be able to relate to your artist?':


We have presented our artist to have a minimalistic image which is not only relevant to the Indie genre but is also easily relatable for our target audience. We have decided to create a relatable artist for our target audience after conducting secondary research into Ellie Goulding who also has an achievable image, similarly to our chosen artist Nina Nesbitt. We felt it was important to capture our artists personality through her behaviour in addition to her vocals and lyrics and we therefore hope she appears down to earth, therefore becoming increasingly relatable. Our artist is relatable in regard to age, gender and also affordable clothing as opposed to a Pop genre artist who would refer to their clothing as a 'costume', thus disguising their true identity and therefore not allowing their fans to view the real them but the falseities surrounding their image, created to sell them as a commodity rather than a relatable person who is ordinary with an extraordinary talent. 




Where do you watch music videos?

This was a very important question to ask because this will be useful to refer to post-production when we are considering to distribute it effectively to our target audience to receive feedback. We asked this mainly because we aim to distribute our final music video via YouTube as it is a huge, global media platform in which a mass audience can view it with ease due to it's easy accessibility. YouTube also offers the audience an opportunity to leave feedback, whether that be positive/constructive critisims which will be useful for us as a group during the Final Evaluation process.

Do you prefer to see the artist in the narrative?

We felt this was an important question to get answers from our target audience to because it is highly relevant to our production. In early stages of planning, we were discussing whether to include the artist within the narrative or to show the artist performing to a seperate narrative. After conducting research into our chosen genre, we decided it would be much more effective if the artist was involved within the narrative element of the style we orignially invisiged, and the answers to this question within our target audience research confirmed exactly that. It is highly conventional to include the artist within the narrative if that element is present within an Indie music video, therefore, we as a group decided to follow it.


Do you prefer a simple or complex music video?

The majority of our target audience questioned for our Vox Pops favoured a simplistic video as opposed to one a complex one which may alienate/confuse them, therefore, they will feel disengaged, thus deciding to not continue watching.



Have you heard of the artist Nina Nesbitt?

As Nina Nesbitt is a new and upcoming artist emerging onto the Indie scene, we were aware that not everyone involved within our target audience would know her music. This was not a problem however, because we want to invite our target audience to enjoy new music, even if they are familiar with the Indie genre. We haven't made our target audience any broader as that would be unachievable, therefore, we have targeted a niche audience much like our chosen artist appeals to in reality to echo her success by aiming to please a similar audience. Our chosen artist stormed the official charts with her hit single Stay Out (combining the Indie genre with Pop, elements of both: acoustic guitar collided with a catchy, 'poppy' chorus) Due to this previous mainstream success, our target audience may already know our artist, which could possibly determine the success of our video.


Creating our own vox pops will assist us with the planning of our creative production as it allows us to consider our target audience throughout. This may effect certain camera shots/editing styles we may like to use and to see how appropriate they are in aim to fulfil our purpose of appealing to our audience. It can be archived on YouTube as displayed below:

16 October 2013 14:22
http://www.youtube.com/watch?v=FhZGdmEUZX0 

(It wouldn't allow me to insert the video)








Pie Charts

Pie charts




We decided to create pie charts to present a more visual and engaging outcome with our feedback rather than just information presented through text, which can appear quite dull.

Our pie charts were created on a simple website in which we had to input our target audience feedback.






It was deliberate that we chose to sample both males and females and we wanted to amount of both genders to be an equal split of 20/20. This therefore allowed us to gain a deeper insight into what both genders liked best in a music video. Although our artist generally appeals to females we also wanted to include males to create a bigger focus/target audience for our own music video production. By using a 20/20 split it also allows us to specify the people we are targeting more so and in an accurate manner to consequently increase the videos appeal




Previous to the primary research we conducted we had a rough outline of who our target audience would consist of: 16-25 year olds (mainly females) We included 5 catergories of ages: 10-16, 17-21, 22-30, 31-40, 41-50. The most popular age brackets were 10-16 (with 10 of our participants being within that age) and 17-21 (being most popular within the participants we sampled which we initially expected) Our chosen artist is aged 19 currently therefore we believe her overall image, music and lyrics (she composes herself) will appeal more greatly to audience members aged 16-25 (a general outlook)



We also decided asking each participant what their favourite genre of music is was fundamental to contributing to the success of of music video production. Ironically, (not planned whatsoever) the Indie genre was most popular amongst our participants with an overwhelming 11/40 people favouring Indie music out of 8 genres provided to chose from. We as a group are fans of the Indie genre as it is very current in the industry. This is mainly because it is known to subvert mainstream conventions which therefore increases its originality. Although many Indie videos are adopt a simplistic approach they are effective as they usually display a relationship between the lyrics and visuals. Also, as Indie was the most popular answer, this will appeal to our target audience and in turn will have a higher chance of becoming a success.




We also decided to ask participants about their preference of bands or solo artists as this gave us an indication as to the types of artists they are interested in and the representation in which they find appealing in order to adopt such opinion in our own production. As evident in the pie chart above, we can see that the majority (28) of participants enjoy listening to solo artists rather than bands.  This therefore implies our music video will be a success as we have chosen to use a solo artists song. It may also mean we attract a larger target audience than we initially expected.



Music videos vary greatly within the industry. This is due to artist representation, record label requirements and the generic conventions associated with the genre selected. When an artist is captured regularly within their music video, it allows the audience to develop a relationship with the artist therefore increasing their popularity, how they relate and their success within the industry as fans may take this opportunity to promote them. 
The majority of our participants stated that they preferred to actually see the artist in the video. The reasons behind this include the following: according to the Indie genre, it is conventional for the artist to be not only present in their video, but to perform the song. We will follow this convention. Furthermore, by having the artist present it allows the audience to believe they are really involved with creating and performing their art form. This is as opposed to a constructed  commodity made for consumerism as mentioned in Dyer's Star theory. Therefore, this creates the impression that they care about their music which therefore makes it more meaningful and makes it more appealing for the target audience. 



Within a music video there are 3 main components which are explored within many videos including performance, narrative and concept. As a group, we all agreed that a strong performance and narrative element work effectively together, therefore, that is what we shall follow. This is evident also within the pie chart displayed above which has allowed us to come to a final decision. 

 After we come to the realisation that this is what our target audience preferred overall, as a group we agreed that a narrative based music video is affective. This is because it will engage the audience as well as giving them a deeper understanding of the song itself as they will visually witness our interpretation of the Indie song. Despite this, we understand that by having a strong narrative element will take the attention away from the artist. However, this is common amongst videos of the Indie genre as artists of the Indie genre are known to wanting to communicate their lyrics and have a stronger focus on it's morals and meaning rather than the focus be on themselves entirely. Therefore, we decided to have a running narrative throughout the song as well as the artist performing the song between frames. This is because it will this allow the audience to see the artist as well as the narrative therefore appealing to a wider target audience.




The results from the first part of the question is evidence that the people we chose to survey prefer a music video that was conventional to its genre rather than employ a diverse style which may be difficult to understand. Below are some of the reasons they had for their opinion:

'I prefer a conventional music video as they are easier to understand. A music video that is too diverse can be confusing.' 
Karis Myers, 17

'Conventional music videos offer visual appeal without taking the focus away from the song and artist. If there is too much going on the audience is unable to connect to the song and artist.' 
Jackie Jarvis, 18

'Diverse music videos are unpredictable. Because they subvert generic conventions, the audience are unable to guess what is going to happen; therefore keeps them engaged as to what is going on.' Charlie Snow, 16

'Music videos that are diverse gives the artist appeal as their image is different from mainstream artists, it gives us something different to watch, someone different to be interested in.' 
Alfie Reynolds, 17

The comments we received are additional and prove there are both positives and negative elements of choosing to create a video conventional to it's genre. The positives included that it is 'easier to understand' which therefore increases the audiences enjoyment/entertainment value. However, the people we questioned believed that videos showing genre characteristics can become 'predictable'  In terms of our chosen genre, we decided that a conventional music video would be most suited as Indie artists typically have simplistic videos of which are mainly focused on the lyrics and the effective narrative in which we feel we can create. In addition to this, the majority of our sample of our target audience stated that they preferred conventional music videos for similar reasons and therefore we will be appealing to our target audience more successfully if we were to adopt such style.





We also asked each participant how they watched music videos on a regular basis whether it be via YouTube, music channels, on their phones or on the artist's website; in which this gives us a better idea as to how to distribute our final product. We want our product to be easily accessible for our target audience. Therefore, a larger amount of our target audience are more likely to find our music video. This will therefore allow us to engage a wider variation of opinion as to how appealing it is, allowing us to effectively evaluate whether the video is successful according to the target audience and how we could improve it if we were to repeat our production process in the future. The majority of our participants answered that YouTube was the most typical distributor that they used to watch music videos. This is the form of distribution we will use as this is what our target audience want us to do, therefore making our video popular as well as easy to access. 







We included this question to establish the style in which our target audience preferred, whether it be simplistic or complex or one that included special effects in the editing process. This allowed us to see what they preferred to have in the content of the video in much more detail rather than just the overall style. We found that 75% of the sample preferred to have a music video that was simple rather than complex. Here are some of the comments in which participants wrote in justifying their opinions:

'Simple music videos provide entertainment for the audience without having to concentrate on the video in order to understand it. It works with the song rather than competing it with it.' Jack Earl, 17

'I prefer music that are simple because they represent the artist as easy to relate to. By having a complex video this presents the artist as extravagant and over the top rather than showing their love of music, a much easier quality to relate to.' Daisy Tuson, 18

'Complex videos are exciting and more engaging. They attract people's attention more because there is more too look at.' Charlotte Watt, 18

'Special effects gives the music video something out of the ordinary, a attribute that other music videos don't have because special effects can be used in different ways, meaning that even if two videos use special effects, both will still be different in content.' Ryan Drinkwater, 17

These additional comments provide us as a group with an outlook as to why our target audience preferred either simple or complex music videos and through this, we were able to establish positives and negatives for both. According to our target audience, music videos which adopt a simplistic approach are complimentary and present the artist to be easy to relate to. However, this may appear boring. On the other hand, our target audience also commented upon special effects and complex videos too. Overall, they stated that complex music videos are far more engaging and can appear diverse which increases their entertainment. In order to compliment our chosen genre and representation of the artist  we have decided to do a simple music video, as this is also conventional to the Indie genre (which also links in with previous questions) Moreover, the  majority of our target audience stated they enjoy simplistic videos in comparison to  videos which employ complex attributes. 



Our chosen artist for our music video production is Nina Nesbitt, an artist of the Indie genre. We wanted to see if our target audience had previously heard of her or her music to know if they had existing perceptions of her. The majority of the sample had not heard of Nina Nesbitt (25 people) which could be perceived as an advantage as this allows us to represent the artist effectively through our own interpretation of her. This also allows the audience to see a short representation of her, encouraging them to build a relationship with the upcoming artist too. Therefore, this gives the artist more publicity and more people are aware of her, therefore increasing her success as an Indie artist.


Participants who answered that they know of Nina Nesbitt is a total of 15/40. We decided asking them a question on her songs would give us a deeper insight to the artists popularity and which song they like the most. 
Our findings suggest that the song 'Stay Out' was most popular. This may be because it reached number 21 in the charts. However, this song already has a pre-existing music video, in which our would been seen as competition and therefore the audience would be constantly comparing. The next most  popular song was 'Noserings & Shoestrings' with 3 people claiming it was their favourite song of hers. This is a good outcome as this song doesn't have an existing music video and therefore would be most suitable to our production. 



This research has undoubtedly assisted us with the planning process for our music video. We purposely created questions which would make our participants think, therefore state an answer true to themselves and in huge detail (evident in our additional comments) We like the fact that by creating pie charts to display our findings quantify's each participants opinion as it gives us a deeper insight to their preferences. By identifying the overall preference it allows us as a group to thoroughly plan our final outcome and hopefully make our creative product appealing to our target audience. From the primary research we conducted, we have drawn attention to these particular points embedded within our findings:


  • The Indie genre is most liked amongst our target audience. Therefore, this makes us more confident that people will enjoy our Indie music video as a result

  • Our target audience prefer to listen to solo artists rather than bands. This is necessary because that is exactly what we are following with our artist Nina Nesbitt. We have also decided to involve this in our music video as this allows a more intimate relationship between artist and audience as they only have one person to focus on/be interested in (as well as our narrative involving the artist also)

  • It is preferred to see the artist present in the music video as this indicates that the song is much more personal to them, and that they are more involved in there work. This suggests that they are also more bothered about their target audience as they want to fulfil their interest. We have decided to have our artist present in the music video so that our audience can connect with them

  • Both narrative and performance based music videos are the most liked in comparison to concept. This style is most conventional in the indie genre and therefore it would be suitable to adopt such style

  • Conventional music videos are more popular than diverse music video among the target audience as they are easier to understand and allows the audience to focus on the song/artist; an effect in which we wish to create and therefore creating a conventional indie music video

  • YouTube is the most popular distributor in which our target audience go to to watch music videos, and therefore when the product is complete we will put it on to YouTube for the majority of our target audience to watch and determine whether it is appealing or not. This will in turn, give us details as to what went right and what went wrong

  • Our target audience prefer music videos that are simple, in which this is a convention of an indie music video we will be including to appeal to our target audience as this compliments the song rather than competes with it

  • The majority of our target audience haven't heard of Nina Nesbitt, however this allows us the create our own representation of the artist. People who had heard of her most commonly liked 'Stay Out' and 'Noserings and Shoestrings'


 In conclusion, by asking our intended target audience questions regarding elements relevant to our production (distribution, the Indie genre and artist representation to name a few) we were enabled to receive their opinion. By using a large sample of 40 participants of both genders it was effective because it really made us think about how we should intend on planning and pursuing our music video production. Without our primary findings to refer back to we would be unable to understand our target audience, therefore we may have created a video which may not appeal to them or address them in the correct way. We are very pleased about the findings we received and believe it will help us succeed when planning and creating our creative media piece







Questionnaires

Questionnaires 

Conducting primary research such as creating a questionnaire is fundamental to learn more about the audience we are targeting. This is because without their feedback, we may create a product which does not appeal to them, therefore defeating the object/not fulfilling the purpose. It is very important to consider our target audience throughout all stages of our music video production including the planning, production and editing processes in aim to create a successful outcome. 

Below is the questionnaire we created and surveyed our target audience with:



We chose to survey an equal number of males (20) and females (20) to receive consistent and reliable data. Therefore, our feedback gives us an overall opinion of music video audiences. We as a group knew it was necessary to identify our target audience before even planning our production. We identified our target audience to be both males and females aged 14-........................................ which is evidently embedded throughout our feedback.


By creating a combination of open and closed questions, it enabled us to view both qualitative and quantitative data. This is very important because it is varied, complex and detailed, therefore assisting us in the future of our video production.